

The Gunpowder Plot
This lavish new immersive theatre attraction from the Tower of London is, in essence, a 100-minute theme-park ride. Using live acting and pre-recorded VR, it takes you inside the infamous Gunpowder Plot, wherein a group of Catholic radicals – inflamed by King James I’s persecution of their religion – decided to blow the heck out of the Houses of Parliament. London has experienced a proliferation of this sort of big-budget, overtly commercial immersive theatre in recent times: next month we’re getting a big new ‘Peaky Blinders’ show, and ‘The Gunpowder Plot’ is the sister production to the similarly VR-augmented ‘War of the Worlds’ that’s been doing the business in central London for a few years now. What marks the ‘The Gunpowder Plot’ out as special is its superior creative team, headed by writer Danny Robins (‘The Battersea Poltergeist’, ‘2:22 - A Ghost Story’) and director Hannah Price (of the King’s Head and activist company Theatre Uncut. Its greatest strength as a drama is the careful moral ambiguity Robins’s script applies to the England of 1605, riven by conflict between the oppressive Protestant ruling class and the persecuted Catholic minority. We sympathise with the oppressed. But is detonating the Palace of Westminster and its bustling surroundings the answer? Although actually staged in the vaults just outside the Tower of London, the story begins in a recreation of the Tower, where the groups of up to 16 ticketholders are cast as newly imprisoned Catholics, witn